![]() It will surely also come into good use in design for galleries and publications about contemporary art. ![]() Symphonie Grotesque is an excellent selection for use in branding or in other kinds of corporate identity design. The fonts ascenders rise quite a bit above the tops of the capital letters, but the capitals and the numerals both share the same height. The middle-two diagonal-strokes of the M remain visibly above the baseline in all of the familys styles. Symphonie Grotesques numerals are tabular lining figures the 1 always has a nice, wide base-stroke at its bottom. Instead of just offering slanted, or oblique versions of the upright fonts letters, Symphonie Grotesques italic fonts include several unique, more cursive-style letterforms.įor example, in Symphonie Grotesques upright fonts, the a is double-storey, while the g is single-storey (just what one would expect for a typeface of this genre).īut in the italics, the a becomes single-storey, and the fand ß get descending tails, too. Symphonie Grotesques italics are what really set it apart from other neo-Grotesque families. Each weight has an upright and an italic font on offer. There are five different weights available, ranging from Regular through Heavy. Symphonie Grotesque is a family of neo-Grotesque-style sans serif fonts.
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